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| 'Hark the Glad Sound': Music as Worship in Two New Forest Parishes (Highlights from BA Dissertation, 2003) |
| Music and Humanism at the North Italian Courts during the Renaissance. |
| 'Imprimeur en musique du Roi': the royal printer Attaingnant, his musical repertory, and court practices in sixteenth-century France. |
| Stage music in eighteenth-century London: Handel's 'Giulio Cesare' and Gay's 'The Beggar's Opera'. |
| A lesson from J.S. Bach: 'The Art of Fugue' as a teaching and learning tool. |
| Fantasy in the piano sonatas of C.P.E. Bach and Beethoven. |
| Music and gender: how men are exoticised and/or orientalised in opera. |
| Orientalism in music: is Verdi's 'Aida' an orientalist opera? |
| Chopin's D Minor Prelude, Op. 28 No. 24 : A Motivic Analysis |
| Analysis of Debussy's piano prelude 'Le Vent dans la Plaine'. |
| How the works and teachings of Henry Cowell influenced the compositions of John Cage up to c.1950. |
| 'The Rain Falls on the Leaves of the Banana Tree': the Chinese yangqin in history and performance. |
| Why multiculturalism is so important to the international music industry. |